More of Dimitri Mitropoulos' recordings with the Minneapolis Symphony today, all originally on 78, with these transfers coming from early LP incarnations.
First is their excellent rendition of Milhaud's Le Boeuf Sur La Toit, coupled with Ravel's Le Tombeau de Couperin on a 10-inch LP.
The Milhaud is particularly successful, with the ensemble capturing the absurdist goings-on with contagious enthusiasm, if rough tone. The Milhaud is from March 1945, with the Tombeau from December 1941.
We move to 12-inch LP for a January 1947 Rachmaninoff Second Symphony. Mitropoulos' biographer, William Trotter, says the conductor loved this work with a passion. If so, the emotion shows through in this convincing effort. By this time, Mitropoulos and the Minnesotans had moved to Victor, and this symphony is better recorded than most of Columbia's work in Minneapolis. As with all commercial issues of this symphony until the 1960s, this rendition is cut.
First is their excellent rendition of Milhaud's Le Boeuf Sur La Toit, coupled with Ravel's Le Tombeau de Couperin on a 10-inch LP.
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Mitropoulos in 1946 |
We move to 12-inch LP for a January 1947 Rachmaninoff Second Symphony. Mitropoulos' biographer, William Trotter, says the conductor loved this work with a passion. If so, the emotion shows through in this convincing effort. By this time, Mitropoulos and the Minnesotans had moved to Victor, and this symphony is better recorded than most of Columbia's work in Minneapolis. As with all commercial issues of this symphony until the 1960s, this rendition is cut.